Exhibition · 2018
The World of Woman
7 September 2018 · Stefánia Palace, Budapest
In my own words
Why do we expect the same person to fit the same ideal at twenty, forty and seventy?
Nine different transitions in women’s lives — including puberty, motherhood, menopause and ageing — open a conversation about experiences often left outside idealised images. Miklós Vámos wrote alongside the pictures, and somewhere along the way it became a book and an exhibition at once.
Halfway through I realised nine models can never speak for everyone, so we opened it up: anyone could send in her own story, and many did. I stopped being the author and became something closer to a host. For the shoots I deliberately used a tiny camera instead of a big black machine — a small camera doesn't hide your face, and you can keep eye contact. Physical closeness turns into emotional closeness. That is the whole technique, really.
Gallery
Works from the exhibition

















































































Press & media
- Video report
- Video report 2
- Feature article
- Report
Stories behind the work
Women’s stories connected to the exhibition and book
Continue through the personal stories, portraits and turning points that form the wider context of The World of Woman. Read Women’s Stories on the BANHALMI blog.
Read how this work connects to its period in the oeuvre.
The work within the oeuvre
Why it belongs here
How it connects to the wider work
Nine different transitions in women’s lives — including puberty, motherhood, menopause and ageing — open a conversation about experiences often left outside idealised images.
Follow the related records to explore the people, projects and themes around this work.
Related projects and archive records
Presence-research period · III
The body, identity and turning points
This exhibition belongs here because of the question behind it, the photographs it brought together and the traces it left in public.
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Public sources and project documentation
Documented public record
Sources connected to this chapter
These links document how the project, book or exhibition entered public life. They are selected for their direct relationship to this record, rather than presented as a general press list.